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From New York Times bestselling author Peggy Orenstein, now available in paperback—the acclaimed New York Times Magazine contributor and author of the groundbreaking New York Times bestseller Schoolgirlsgrapples with where to draw the line for our daughters in the new girlie-girl culture.
The rise of the girlie-girl, warns Peggy Orenstein, is no innocent phenomenon. Following her acclaimed books Flux, Schoolgirls, and the provocative New York Times bestseller Waiting for Daisy, Orenstein’s Cinderella Ate My Daughter offers a radical, timely wake-up call for parents, revealing the dark side of a pretty and pink culture confronting girls at every turn as they grow into adults.
- Sales Rank: #13297 in Books
- Published on: 2012-01-31
- Released on: 2012-01-31
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .61" w x 5.31" l, .45 pounds
- Binding: Paperback
- 272 pages
Amazon.com Review
The acclaimed author of the groundbreaking bestseller Schoolgirls reveals the dark side of pink and pretty: the rise of the girlie-girl, she warns, is not that innocent.
Pink and pretty or predatory and hardened, sexualized girlhood influences our daughters from infancy onward, telling them that how a girl looks matters more than who she is. Somewhere between the exhilarating rise of Girl Power in the 1990s and today, the pursuit of physical perfection has been recast as a source—the source—of female empowerment. And commercialization has spread the message faster and farther, reaching girls at ever-younger ages.
But, realistically, how many times can you say no when your daughter begs for a pint-size wedding gown or the latest Hannah Montana CD? And how dangerous is pink and pretty anyway—especially given girls' successes in the classroom and on the playing field? Being a princess is just make-believe, after all; eventually they grow out of it. Or do they? Does playing Cinderella shield girls from early sexualization—or prime them for it? Could today's little princess become tomorrow's sexting teen? And what if she does? Would that make her in charge of her sexuality—or an unwitting captive to it?
Those questions hit home with Peggy Orenstein, so she went sleuthing. She visited Disneyland and the international toy fair, trolled American Girl Place and Pottery Barn Kids, and met beauty pageant parents with preschoolers tricked out like Vegas showgirls. She dissected the science, created an online avatar, and parsed the original fairy tales. The stakes turn out to be higher than she—or we—ever imagined: nothing less than the health, development, and futures of our girls. From premature sexualization to the risk of depression to rising rates of narcissism, the potential negative impact of this new girlie-girl culture is undeniable—yet armed with awareness and recognition, parents can effectively counterbalance its influence in their daughters' lives.
Cinderella Ate My Daughter is a must-read for anyone who cares about girls, and for parents helping their daughters navigate the rocky road to adulthood.
An Exclusive Note from Peggy Orenstein
As a mom, I admit, I was initially tempted to give the new culture of pink and pretty a pass. There are already so many things to be vigilant about as a parent; my energy was stretched to its limit. So my daughter slept in a Cinderella gown for a few years. Girls will be girls, right?
They will—and that is exactly why we need to pay more, rather than less, attention to what’s happening in their world. According to the American Psychological Association, the emphasis on beauty and play-sexiness at ever-younger ages is increasing girls’ vulnerability to the pitfalls that most concern parents: eating disorders, negative body image, depression, risky sexual behavior. Yet here we are with nearly half of six-year-old girls regularly using lipstick or lip gloss. The percentage of eight- to twelve-year-old girls wearing eyeliner or mascara has doubled in the last TWO years (I ask you: shouldn’t the percentage of eight-year-olds wearing eyeliner be zero?). A researcher told me that when she asks teenage girls how a sexual experience felt to them they respond by telling her how they think they looked. Meanwhile, the marketing of pink, pretty, and “sassy” has become a gigantic business: the Disney Princesses alone are pulling in four BILLION dollars in revenue annually.
As I immersed myself in the research for this book, I began to trace a line from the innocence of Cinderella to the struggles Miley Cyrus has faced in trying to “age up,” which in turn was connected to how regular girls present themselves on Facebook (where identity itself becomes a performance, crafted in response to your audience of 322 BFFs). It seemed that even as new educational and professional opportunities unfurled before my daughter and her peers, so did the path that encouraged them to equate identity with image, self-expression with appearance, femininity with performance, pleasure with pleasing, and sexuality with sexualization.
So much is at stake, for mothers with girls of all ages: How do we define girlhood? What about femininity? Beauty? Sexuality? Our choices will tell our girls how we see them, who we want them to be, our values, expectations, hopes, and dreams. Do we want them to be judged by the content of their character or the color of their lip gloss?
I’m the first to admit that I do not have all the answers. Who could? But as a mother who also happens to be a journalist (or perhaps vice versa), I wanted to lay out the context—the marketing, science, history, culture—in which we make our choices, to provide information and insight that might help parents, educators, and all of us who care about girls guide them toward their true happily-ever-afters.
From Publishers Weekly
Orenstein, who has written about girls for nearly two decades (Schoolgirls), finds today's pink and princess-obsessed girl culture grating when it threatens to lure her own young daughter, Daisy. In her quest to determine whether princess mania is merely a passing phase or a more sinister marketing plot with long-term negative impact, Orenstein travels to Disneyland, American Girl Place, the American International Toy Fair; visits a children's beauty pageant; attends a Miley Cyrus concert; tools around the Internet; and interviews parents, historians, psychologists, marketers, and others. While she uncovers some disturbing news (such as the American Psychological Association's assertion that the "girlie-girl" culture's emphasis on beauty and play-sexiness can increase girls' susceptibility to depression, eating disorders, distorted body image, and risky sexual behavior), she also finds that locking one's daughter away in a tower like a modern-day Rapunzel may not be necessary. Orenstein concludes that parents who think through their values early on and set reasonable limits, encourage dialogue and skepticism, and are canny about the consumer culture can combat the 24/7 "media machine" aimed at girls and hold off the focus on beauty, materialism, and the color pink somewhat. With insight and biting humor, the author explores her own conflicting feelings as a mother as she protects her offspring and probes the roots and tendrils of the girlie-girl movement. (Jan.)
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From Booklist
Orenstein’s Schoolgirls: Young Women, Self-Esteem and the Confidence Gap (1994) was a watershed best-seller, and she has continued to write extensively—both in print and online—about the hazards of growing up female in contemporary America. Here she explores the increasing “pinkification” of girls’ worlds, from toys to apparel to tween-targeted websites, and she writes not only as a detached, informed journalist but also as a loving, feminist mother, bewildered as her daughter, “as if by osmosis,” learns the names of every Disney princess, while her classmate, “the one with Two Mommies,” arrives daily at her Berkeley preschool “dressed in a Cinderella gown. With a bridal veil.” Orenstein skillfully integrates extensive research that demonstrates the pitfalls of “the girlie-girl culture’s emphasis on beauty and play-sexiness,” which can increase girls’ vulnerability to depression, distorted body images and eating disorders, and sexual risks. It’s the personal anecdotes, though, which are delivered with wry, self-deprecating, highly quotable humor, that offer the greatest invitation to parents to consider their daughters’ worlds and how they can help to shape a healthier, soul-nurturing environment. --Gillian Engberg
Most helpful customer reviews
276 of 294 people found the following review helpful.
What's next for our girls?
By Bradley Olin
First of all, I'm a new father. Of a girl. Naturally I find myself wondering how on earth I am going to raise a confident, considerate and well adjusted girl in these complicated times. I also noticed that sometimes people's eyebrows would raise as they saw me reading this book in public. Trust me. This book is a worthwhile read for mothers AND fathers.
What this book has proven to be is an alarming expose of the numerous pitfalls our culture has created for girls. Orenstein humorously and cuttingly tackles issues such as the marketing schemes of the "disney princess brand", "pink explosion" of products marketed toward girls, the pattern of teen-icon role-models who go from "wholesome" to "whoresome" as they mature (even the seemingly incorruptible Miley Cyrus succumbed to it as she got older). AKA don't pose for Vanity Fair. The book is well researched and makes a compelling case for all parents to be concerned about the future of their daughters.
Orenstein's agenda is liberally slanted with an anti-consumer agenda, and you can tell because there's some obvious HRC/Palin comparisons in the book, but what would you expect from a lady living in Berekely, California? A Santa Cruz resident, myself, I didn't find these insertions bothersome, but to the politically conservative I advice a grain of salt.
At times the narrative seemed to get overly alarmist, raising red flags about things which I personally wouldn't worry very much. I understand why, but parts of the discussion seemed to over-stress the dangers to our nascent daughters. I just don't buy it. Meanwhile, the book offers a great amount of commentary/critique about these challenges, but provides very little of substance in terms of how to address these issues on the parental end. There are some gems scattered throughout but I found myself wishing there was more guidance for those who are struggling here. Maybe the answer is that there is no real answer, because the parenting experience is so different for everyone.
449 of 506 people found the following review helpful.
Half-baked but worth a read
By Zinnia
Is it just me or are nonfiction books of this type getting shorter and ending in an increasingly abrupt manner? I was startled when I hit the end of this most recent offering from Ms. Orenstein; with a good pinch of pages left I thought I had just reached the end of a chapter, only to see the rest of the bulk consisted merely of acknowledgements, notes, and so forth.
This sudden drop off only adds to my list of frustrations with this interesting, well-intentioned, yet flawed book. As the mother of three young daughters, I was at once intrigued and skeptical when I picked up the book, which claims to tell us poor befuddled mothers what to make of the supposedly new culture of "girlie girl." The author immediately strikes a very bloggy, up-to-the-minute tone, which can be fun to read but also frustratingly limited. It is odd to pick up an actual physical book and see snarky snappiness and reference after reference to things I have seen online, but have never encountered in real life. Is there truly no world outside the internet now?
It also has the downfall so common to these social critique tomes, in that the author employs what I like to call the "me and my playgroup" method of research. Rather than delving into true social scientific research even in a casual way, rather than expanding her explorations into unfamiliar neighborhoods or more solidly limiting the terms of the inquiry to well-heeled coastal progressive communities, the author lazily lopes around the park on the corner and runs back to report what she has seen there. A lot of assumptions fill in the gap. For instance, she says that since the "princess thing" is so big "even" where she lives (liberal Berkeley) it "must" be even worse elsewhere. Well no, not necessarily. And as far as any kind of material spoiling and expectations of things like "spa day," well, if you can't even afford a once-a-year "spa day" for yourself (as the millions of Americans who make less than $40,000 per year mostly cannot) then you certainly aren't going to be getting one for your 7 year old, whether you think it's immoral or not!
Orenstein gallops along at quite a clip with the false dichotomies, too. Should we encourage girls to play act being a doctor, or just let them be ballerinas? Uh, why not both? Am I damaging my daughter by letting her play with Thomas the Train toys or is it more damaging to let her play princess? Well, why should either one be damaging at all, and especially if one has the breadth of mind to enjoy both?
In Orenstein's anecdotal evidence about the excesses of "girlie girl" I did notice one common theme that carried through: she wasn't there when it happened. In one instance, her daughter had wandered off with some older kids. In most of the rest, it concerned something that happened at preschool. Over and over again with the stuff she cites I found myself thinking, "WHERE are the parents of all these kids?" So much could be remedied by parents being there and saying no as frequently as possible. Dare I say, this woman is making an excellent argument in favor of strong women staying at home to rear and shelter their daughters? Oh heavens, that cannot be! But at least if she proposed this she would be proposing SOME solution. As the book slumped forward, prematurely expired, I had already been feeling depressed and hopeless about the state of girlhood. Orenstein leaves us there with no ideas for remedy at all, save a bland last-minute exhortation that maybe moms can sorta make a difference, I guess, if we try. Woo!
106 of 124 people found the following review helpful.
Informative and Interesting, Never Preachy
By Ana Mardoll
Cinderella Ate My Daughter / 978-0-061-71152-7
For people interested in gender politics and how they play out in advertising aimed at young girls in America, this book is an absolute delight to read. Author Orenstein examines everything from Disney Princess merchandise, American Girls dolls, the "Twilight" phenomena, Miley Cyrus (and all the "innocent-but-sexy" singers and actresses that have come before her, and will come after her yet), pageant culture, and Facebook - all through the dual lens of her own experiences as a mother and her own research as a journalist.
"Cinderella Ate My Daughter" is wonderfully written - both informative and interesting. The author has a wonderful sense of when to intersperse daily anecdotes from her own life into the meticulous studies she references and the experts she quotes. This is anything but a "fluff" book - there's so much information compiled here and it's presented in an imminently easy-to-digest format. Looking back on this book, dozens of fascinating facts leap to my mind - such as the evidence that dolls were in low vogue among girls in the late 1800's, until President Roosevelt warned the country against declining Anglo-Saxon birth rates and suddenly the race was on to prepare (certain kinds of) girls to be 'good American mothers'. Then there's the chapter about mixed-gender play and how to understand the difference between boys and girls playing WITH each other and them playing NEAR each other (and how to encourage the latter to blossom into the former). Especially impressive in this book is how the author always tries to give the opposition a fair say, even while making it clear where she falls on the spectrum - everything comes across as highly informative and extremely fair-spoken.
One thing I particularly liked about this book is how fallible-as-a-mother Orenstein is willing to be, and how kind and fair-minded she is towards the other parents in the book. She seems to really understand how difficult it is to meld high-minded principles with day-to-day parenting (for instance, in explaining WHY a Bratz doll is "inappropriate" to her 5-year-old, she's frustrated that the very CONCEPT of the inappropriateness of a "sexy" doll isn't something she wanted to get into just yet!), and I really respect that there is pretty much zero "parent bashing" here. When the author explores the "American Girls" dolls (a marketing line that she readily admits is out of the budgets of most parents and thus constitutes a minority of American girls being able to even afford the dolls), it would be easy to decry all the money "wastefully" spent on the extravagant doll clothes, but she doesn't. Even the pageant chapter is tactfully and thoughtfully written - Orenstein seems fully aware that "parent bashing" only helps to blind us to the other forms of marketing and expression that are targeted to our girls (i.e., "Sure my daughter wears a Cinderella bridal veil to kindergarten every day, but at least I don't let her dress like JonBenet!"), and so instead she uses the pageant concept to draw parallels, not to cast judgment.
I also want to note that this book struck me as very HAES-friendly and extremely insightful on how to encourage healthy body-image in young daughters - several of the experts that Orenstein quotes hit the nail on the head, I think, on the best hows-and-whens to tell your daughter that she's beautiful, and how to link that "beauty" to inner character rather than outer trappings.
For people who are interested in gender studies and girl-aimed marketing, I feel like this is a wonderful book to read. The book is easy to digest, and hard to put down - I read the whole book in two days, largely because I just didn't want to stop. Most of all, I appreciate that the author understands that the issues of gender politics and how they affect our young daughters are *complicated*, and while she tries to offer her own solutions at the end, she never sounds preachy, know-it-all, or "my way is the right way" - I think, largely because she gets that a complicated issue like this doesn't have one, pithy solution that can be easily summed up on a bumper sticker.
NOTE: This review is based on a free Advance Review Copy of this book provided through Amazon Vine.
~ Ana Mardoll
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