Sabtu, 31 Maret 2012

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She Plays with the Darkness: A Novel, by Zakes Mda

In a remote mountain village in Lesotho, the beautiful Dikosha lives for dancing and for song, setting herself apart from her fellow villagers. Her twin brother, Radisene, works in the lowland capital of Maseru, struggling amid political upheaval to find a life for himself away from the hills. As the years pass, Radisene's fortunes rise and fall in the city, while Dikosha remains in the village, never leaving and never aging. And through it all, the community watches, comments, and passes judgment.

  • Sales Rank: #2409981 in Books
  • Published on: 2004-03-01
  • Released on: 2004-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .51" w x 5.50" l, .64 pounds
  • Binding: Paperback
  • 224 pages
Features
  • ISBN13: 9780312423254
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Booklist
Like all Mda's novels, including Heart of Redness (2002), this contemporary story of southern Africa places contemporary politics in the context of family and community, past and present. The setting here is a mountain village in Lesotho, on the South African border. Radisene is close to his beloved sister, Dikosha, until he leaves for the capital city, Maseru, where be becomes a smart ambulance-chaser, so successful in his machinations that he even sends money back to the village to build his mother a mansion. Dikosha refuses to have anything to do with him. In fact, she lives in her own world of magic and music, closely in touch with the dancers in the local cave paintings that were created by the Bushmen long before the Sotho came there and took the land. Mda's blend of magical realism and the cruel farce of national politics reveals the wildness everywhere. At the heart of the story is the mountain community, never idyllic, bursting with jealousy and spite, yet home through drought, snow, and mist. Hazel Rochman
Copyright © American Library Association. All rights reserved

Review
“Mda's fascinating narrative skill reveals the past as a powerful presence in the present: of his characters, and of all of us, as we live.” ―Nadine Gordimer

About the Author

Zakes Mda, a novelist and playwright, is also the author of The Madonna of Excelsior, Ways of Dying, and The Heart of Redness. A former visiting professor at Yale and the University of Vermont, he is Professor of Literature at Ohio University. He lives in Athens, Ohio.

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0 of 0 people found the following review helpful.
I always enjoy reading Zakes Mda's books as well as other African ...
By aisha ghaniem
I always enjoy reading Zakes Mda's books as well as other African writers, it's fresh, when compared with western literature. Full of culture and colourful characters with realistic mindsets.

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Selasa, 27 Maret 2012

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  • Sales Rank: #7380007 in Books
  • Brand: Paul Simon
  • Dimensions: .7 pounds
  • Binding: Sheet music

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Joanie is a smart, quick witted, attractive, small town young woman. She has yet to date, and has an amazing future ahead of her.
Follow Joanie through her first, and maybe last, attempt at dating once given her parents permission to do so.
Joanie is going to guide you through what goes through her head. Easy to keep up with her, but you won't see what's coming! Maybe she should have listened to those premonitions.

  • Sales Rank: #1991268 in eBooks
  • Published on: 2014-01-14
  • Released on: 2014-01-14
  • Format: Kindle eBook

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2 of 2 people found the following review helpful.
a book full of twists and Dilemmas for a young girl reaching adulthood
By Alana Murrey
This book is beautifully written. It is an account a young girl who wants to start dating. She wants to break free and experience independents however she also feels she needs to listen to those more wiser than her. What does she do! Lots of twists to the story.

1 of 1 people found the following review helpful.
An interesting story with suspense and steam.
By Bumbhola
Our heroine, talks about that phase of her life which most of us find the most confusing, as well as the most memorable. She has been a good student, she has money too, the only thing she doesn't have is light-heartedness about dating, boys, sex, etc. She knows she's not as frank and outgoing like the other girls(mostly because of her family background), but has just made up her mind to start experimenting with an untouched part of her life.

As she relates her story and experiences, there are attractions, distractions, her religious mental make-up, and the strong opinions of her parents, that keep confusing her on matters of dating, guys, love & sex. Twists in the tale are ensured with the different characters and their roles in Joanie's life. There is a grilling suspense that builds later on where good guys are thought of as bad ones, there is a chance of deceit, and more stuff like that.
Very interesting.

1 of 1 people found the following review helpful.
A glimpse into someone else's world, their choices...and the consequences
By Anne
Davis’ book follows a young woman through the many trials and tribulations that come from negotiating adulthood and the inherent tension between the desire for independence versus respecting the opinions of those with more life experience. The issues it touches on are pertinent to everyone and what’s fascinating is watching the choices Joanie makes and then seeing the consequences unfold…Not that you’d see them all coming, though! There are definitely a few twists that’ll keep you guessing!

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Rabu, 21 Maret 2012

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Looking at Type in the Workplace (Looking at type series), by Larry Demarest

Over your lifetime, you will spend between 50,000 to 100,000 hours at work, more than any other activity. Understanding personalities-both your own and the people with whom you work-is vital to spending a lifetime of engaged, productive, collaborative, and satisfying work.

Looking at Type in the Workplace uses the gold standard of personality assessments, the Myers-Briggs Type Indicator instrument, to explain the importance of the four domains of psychological type to the work environment. Decades of research have shown that teams composed of members with diverse personalities have better outcomes than those who are type alike. respecting and appreciating differences results in healthier, more productive teams.

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Appreciation of diverse ways of gathering information and making good decisions
The role of type in career choice, conflict resolution, team building, decision making, change management, and effective communication

Harnessing the power of psychological type will make your workplace more harmonious, productive, effective...and personally satisfying.

  • Sales Rank: #853712 in Books
  • Brand: Brand: Center for Applications of Psychological Type
  • Published on: 1997-01-01
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 47 pages
Features
  • Used Book in Good Condition

About the Author
Larry Demarest, Ph.D., worked with the MBTI instrument as an independent trainer and organizational development consultant for almost 30 years. He passed away in 2006.

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Classroom to Clinic Study System: Personal Professor for Clinical Rotations and PANCE/PANRE Review 1st (first) Edition

  • Sales Rank: #3536786 in Books
  • Published on: 1994
  • Binding: Paperback

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Jumat, 16 Maret 2012

[V810.Ebook] PDF Ebook Bane of the Dead (Seraphim Revival Book 1), by Jacob Holo

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Bane of the Dead (Seraphim Revival Book 1), by Jacob Holo

In an empire ruled by the honored dead, seraphs are the ultimate weapons. Fueled by the pilot’s very soul, these colossal humanoid war machines are unstoppable in battle. Only a few possess the gift to control such craft, and those men and women are prized above all others.

Jack Donolon is the most powerful pilot in existence, a hero of Earth with a mind fractured by his seraph. On the far side of the galaxy, he uncovers a terrible truth about the seraphs and their pilots. Now he must return on a mission no one will understand, to face and kill the people who once called him friend and comrade.

But the death he will bring is insignificant next to the destruction that will follow, should he fail …

  • Published on: 2015-06-13
  • Released on: 2015-06-13
  • Format: Kindle eBook

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7 of 7 people found the following review helpful.
All about the action
By Cedarlila
The basic premise of the book is that Earth is only one of many, many worlds 'seeded' by an alien race which originated in another dimension. Eleven beings - no, twelve - were exiled because they had created the twelfth. The twelfth was the creature called Bane. Holo does an excellent job of beginning the book with action, threading his world-building in and around that action and slowly unfolding it.

bane of the deadBane of the Dead is pure Space Opera. Discard all your puny notions of the laws of physics, and just enjoy the almost cinematic descriptions of machines and men melded into seraphim, the protectors of humanity and their titanic clashes with the ironically bureaucratic Fallen. In a universe where not one, but two 'spare' planets have been set into orbit around Earth (and one leaves abruptly) without any mention of that mass affecting the Earth, it is not a surprise to learn of mental powers that can extend to... but that's a spoiler.

This isn't a story about the characters, who remain elusively aloof from the reader. Although they are well-enough described, I was never quite able to connect with them emotionally. The dialogue is lacking flavor, but that's not why you read books like this. This one is a fun tour de force of chaos sword battles, hand-to-hand Mecha combat, and the dead world hiding terrible secrets at the center of it all. If you enjoyed Saberhagen's Berserker series, this may appeal to you.

6 of 6 people found the following review helpful.
Super Mecha Opera
By Kindle Customer
Gundam meets Neon Evangelion in this clash of titanic mecha. The overall story was strong and the fighting was intense. The ending left me wanting to see more of this expanded universe. The dangers are not over, but I fear they are only beginning for our heroes. Why not four stars? I wanted more character development and await the next book of this space opera. Till then...

3 of 3 people found the following review helpful.
... book of Jacob's that I've read and it feels like a love letter to the mecha space genre
By Amazon Customer
This is the first book of Jacob's that I've read and it feels like a love letter to the mecha space genre. If you're a fan of anime and wonder what a novel written the same way would be like, this is the book. The world building has a nice touch where some anachronisms (like having a cook) are highlighted. Looking forward to finishing the third book in the Seraphim Revival series soon.

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Selasa, 13 Maret 2012

[D623.Ebook] Ebook Free Selected Writings, by George Herbert Mead

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Selected Writings, by George Herbert Mead

The only collection of Mead's writings published during his lifetime, these essays have heretofore been virtually inaccessible. Reck has collected twenty-five essays representing the full range and depth of Mead's thought. This penetrating volume will be of interest to those in philosophy, sociology, and social psychology.

"The editor's well-organized introduction supplies an excellent outline of this system in its development. In view of the scattered sources from which these writings are gathered, it is a great service that this volume renders not only to students of Mead, but to historians."—H. W. Schneider, Journal of the History of Philosophy

  • Sales Rank: #1656120 in Books
  • Published on: 1981-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.20" w x 5.25" l, 1.00 pounds
  • Binding: Paperback
  • 488 pages

About the Author
Andrew J. Reck is professor and chairman of the Department of Philosophy at Tulane University.

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1 of 1 people found the following review helpful.
AN EXCELLENT COLLECTION OF WRITING BY AN AMERICAN PRAGMATIST PHILOSOPHER
By Steven H Propp
George Herbert Mead (1863–1931) was an American philosopher, sociologist and psychologist, primarily affiliated with the University of Chicago, where he was one of several distinguished pragmatists. He is regarded as one of the founders of social psychology.

The editor wrote in the Preface to this 1964 collection, “In the summer of 1962, while preparing a study of Mead’s philosophy for publication… in commemoration of the centennial of his birth, discovered that, although five posthumously published based on his lectures and notes presented his thought and were in print, his own publications… had never been collected and were scattered in journals and out-of-print books… The present volume makes available for the first time a selective collection of Mead’s published essays, touching on every major feature of his thought.”

Mead states, “In the social world we must recognize the working hypothesis as the form into which all theories must be cast as completely as in the natural sciences. The highest criterion that we can present is that the hypothesis shall WORK in the complex of forces into which we introduce it. We can never set up a detailed statement of the conditions that are to be ultimately attained. What we have is a method and a control in application, not an ideal to work toward.” (Pg. 3)

He says, “The religious consciousness is preeminently one that recognizes in life a fundamental problem, while it clings to the reality of the great representative objects of conduct which the conflict has abstracted and set before us. In fact, it is allowable to define the religious object as one which, while transcending through its universality the particular situations of life, still is felt to be representative of its meaning and value.” (Pg. 23)

He points out, “The result of the development of our sciences has been that their problems are no longer within the immediate experience of the student, nor are they always statable in terms of that experience. He has to be introduced to the science before he can reach the source of interest, i.e., problems which are his own and which he wants to solve by the process of his own thinking.” (Pg. 63)

He argues, “The loss to the community from the elimination of the intellectual phase of moral conduct it would be difficult to overestimate and this loss is unavoidable as long as the interpretation of conduct lies outside the immediate experience, as long as we must refer to a moral order without, to intellectually present the morality of conduct… But not only does an external moral ideal rob immediate moral conduct of its most important values, but it robs human nature of the more profound solace which can come to those who suffer----the knowledge that the loss and the suffering, with its subjective poignancy, has served to evaluate conduct, to determine what is and what is not worthwhile.” (Pg. 92-93)

He suggests, “I have thought to indicate that the process of schooling in its barest form cannot be sufficiently studied by a scientific psychology unless that psychology is social, i.e., unless it recognizes that the processes of acquiring knowledge, of giving attention, of evaluating in emotional terms must be studied in their relation to selves in a social consciousness. So far as education is concerned, the child does not become social by learning. He must be social in order to learn.” (Pg. 122)

He observes, “Any gesture by which the individual can himself be affected as others are affected, and which therefore tends to call out in him a response as it would call it out in another, will serve as a mechanism for the construction of a self. That, however, a consciousness of a self as an object would ever have arisen in man if he had not had the mechanism of talking to himself, I think there is every reason to doubt. If this statement is correct the objective self of human consciousness is the merging of one’s responses with the social stimulation by which he affects himself. The ‘me’ is a man’s reply to his own talk. Such a ‘me’ is not then an early formation, which is then projected and ejected into the bodies of other people to give them the breadth of human life. It is rather an importation from the field of social objects into an amorphous, unorganized field of what we call inner experience. Through the organization of this object, the self, this material is itself organized and brought under the control of the individual in the form of so-called self-consciousness.” (Pg. 140)

He contends, “There is an ambiguity in the word ‘consciousness.’ … There is another field, that of self-consciousness, to which I am not as yet referring. There is a common character which in varying degree belongs to all of these contents, that is, that these contents could not appear at all, or exactly as they do appear, in the experiences of any other organism. They are in this sense private, though this privacy does not imply necessarily anything more than difference of access or of perspective on the part of the different organisms. If we take the pragmatic attitude…consciousness in the first sense, that of awareness, would disappear from immediate experience, while the world that is there would be a world that would exist for the organism, when the organism marked or plotted or… canalized its environment in terms of its future conduct.” (Pg. 271-272)

He asserts, “It is hardly necessary to point out that John Dewey’s philosophy, with its insistence upon the statement of the end in the terms of the means, is the developmental method of the implicit intelligence in the mind of the American community. And for such an implicit intelligence there is no other test of moral and intellectual hypotheses except that they work. In the profoundest sense John Dewey is the philosopher of America.” (Pg. 391)

Mead is far less well-known than, say, John Dewey, William James, or Charles Peirce; but this collection of writings is an excellent “introduction” to his thought.

0 of 6 people found the following review helpful.
Helpful Material
By Dr. W. G. Covington, Jr.
I found the introductory remarks by Professor Reck more intriguing than the body of the book. His comments are somewhat motivating for scholarly work. In describing the process of editing the material, he sets a certain tone that is appealing.
In the writings of Mead one finds seeds of liberalism being sown. Mead takes simple concepts and makes them sound overly complex. In this particular collection of his work, there is more filler than substance in many cases. The bibliography, however is useful in that it provides a means of tracing sources.

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Sabtu, 10 Maret 2012

[U452.Ebook] Download Ebook Creating Courses for Adults: Design for Learning (Jossey-Bass Higher and Adult Education), by Ralf St. Clair

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Creating Courses for Adults: Design for Learning (Jossey-Bass Higher and Adult Education), by Ralf St. Clair

Become an effective adult educator by approaching teaching systematically

As the author describes at the beginning of Creating Courses for Adults, "The big idea of this book is that education for adults has to be designed." Whether in basic skills training, English language classes, professional development workshops, personal interest courses, or formal degree programs, good teaching tends to conceal all the planning and decisions which had to be made in order to present participants with a seamless and coherent process for learning. The author posits that nobody is a completely intuitive teacher and that everybody has to make a series of choices as they put courses together. The decisions they make are important and far-reaching, and deserve to be considered carefully.

Starting with the three core factors which must be taken into account when creating courses, Creating Courses for Adults walks readers through a manageable process for addressing the key decisions which must be made in order to design effective learning.

  • Instructor factors are what the teacher brings to the teaching and learning process, such as experience and preferences.
  • Learner factors are the influences that students bring with them, including their past experiences and expectations for the class.
  • Context factors include the educational setting, whether in-person or online, as well as the subject matter.

Readers of Creating Courses for Adults will learn a systematic approach to lesson and course design based on research into the ways adults learn and the best ways to reach them, along with pointers and tips for teaching adults in any setting.

  • Sales Rank: #591075 in Books
  • Published on: 2015-03-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .65" w x 6.95" l, .87 pounds
  • Binding: Paperback
  • 240 pages

From the Back Cover

Creating Courses for Adults is a guide to the behind-the-scenes work that goes into good teaching. Whether you are new to adult education, or want to improve the courses you already teach, this book will equip you with a systematic approach to lesson and course design which is based on research into the ways adults learn.

The book walks readers through a manageable process for addressing the key decisions which must be made in order to design effective learning. What specific ideas or skills should you teach? What resources will you use? Which teaching methods are best for your situation? How will you know if your lesson was successful? The most effective teachers decide on the answers to these questions before they ever set foot into the learning environment. In Creating Courses for Adults, you’ll learn how to make these crucial decisions in order to craft a course that best fits your experience and approach to teaching, the influences your learners bring with them, and the context of the course, including educational setting and subject matter.

Ralf St. Clair, a respected author and professor of adult education, doesn’t believe in telling you how to do your job. Instead, he recognizes that teaching is an intensely personal activity and that only you as the educator can know what’s right for you. Creating Courses for Adults offers a spread of teaching possibilities and gives you the evidence-based framework you need to choose the options that will help you design an outstanding educational experience.

“In clear and accessible language, Creating Courses for Adults takes teachers through the steps necessary to create purposeful and engaging learning experiences for adults. Novices or experts will be stimulated to rethink how they design learning.”
—Stephen Brookfield, John Ireland Endowed Chair, University of St. Thomas

“Anyone who is an educator of adults should read this book because it will enable you to plan and deliver good courses. St. Clair’s exciting approach demonstrates not only the centrality of design but also the importance of placing values at the heart of our practice.”
—Lyn Tett, professor emeritus, University of Edinburgh

About the Author

RALF St. CLAIR is professor and dean in the Faculty of Education at the University of Victoria in British Columbia.

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2 of 2 people found the following review helpful.
How to design and create an educational course
By Steve Burns
This book covers all the elements needed to create and design learning courses for adults. It is very detailed and academic in its writing style and structure. I would have preferred a more casual writing style. However the content and process is here whether you want to design an e-course, personal interest course, or a work shop. The books shows how to take a student through the complete process of learning a subject from start to finish, I believe this could even be used in colleges and tech schools for course design and implementation. Not an easy read but well worth the effort.

1 of 1 people found the following review helpful.
Creating Courses for Adults, curriculum prerequisite
By Ohstacy--Blog of Comfort Blogger, WTF: Wheres the Faith on Wordpress
As a former successful adult education instructor for a variety of writing courses, I enthusiastically awaited for the arrival of Creating Courses for Adults: Design for Learning by Ralf St. Clair. I felt this book would help me brush up on my skills to re-enter the classroom arena.

Once the book arrived, admittedly, I found it difficult to read through what I found to be someone dry, textbook-like material. The trick was, once I pushed through the drab text, I discovered a hodgepodge of practical information. In essence, Professor St. Clair offers a comprehensive perspective into the world of adult education and addresses nearly everything you need to navigate your way to success.

One thing I beg to differ with is when the author writes, "One influential factor is the educator's own educational experience. Somebody who did well at school when she was young, tended to be friendly with teachers, and enjoyed reading and writing will have a particular view of teaching and learning. An educator who disliked school, was uncomfortable with the authority of teachers, and hated sitting still at a desk will have a very different perspective."

I, for one, had far too many teachers who were self-indulged, incompetent, bias and really should not have been training show dogs, let alone children. Granted this was many moons ago in affluent Fairfield, Connecticut, but if you didn't conform to the preppy look, didn't excel in academics or sports, these teachers wouldn't give you the time of day. Not only did they flunk teaching, they perpetuated bullying in the classroom--which is another story.

Despite these teacher's inadequate methods of teaching, I, with an insatiable thirst for knowledge, virtually taught myself everything. I feel I am an exceptional teacher because I had a less than optimal learning environment and was determined to break out and be successful regardless of the opinions that my negative, limiting-belief teachers had about me.

Now, back to the rest of the book, here is what I found:

THUMBS UP:
1. Comprehensive information. You get a systematic approach, based on myriad areas of studies, to help you make your classroom rock.

2. The book is easy-to-follow and well-organized; information practical enough to be applied in a classroom setting.
The main crux addresses a three-core design for effective learning:
* Instructor factors
* Learner factors
* Context factors

3. Whether you are teaching personal development courses or professional development workshops, this book is for you since it stretches across a broad range of channels.

4. Rock solid research. Theory after theory, study after study, I'm quite sure Professor St. Clair had to give up many, if not all, extracurricular activities to write this impressive reference guide.
It is a remarkable accomplishment--even for someone in academia.

5. I paid special attention to the analogies since they are interesting and enhance the book as a whole and added some needed life into its pages (see #1 below under THUMBS DOWN).

THUMBS DOWN:
1. Again, the setback is the dry, textbook-like feel of this book. This is not the case in the entire book, but in the few sections that this problem arises, it does deter from the book's overall quality.

2. Typos. Gosh, the proof reader was not consistent in catching a few grammar gremlins.

THE NITTY-GRITTY:
If you are in the profession of teaching adults, you should know exactly where to find Creat-ing Courses for Adults: Design for Learning by Ralf St. Clair in your personal library, it's the best reference around. One caveat, though, you can plan, plan, plan, but in the final analysis, at least in my humble opinion, the best teaching environment happens organically and naturally so much so that you are watching the clock hoping it will slow down instead of speed up!

2 of 2 people found the following review helpful.
Contains useful schematics for developing both credit and non-credit courses
By Leanne
As a two-year college professor, I've been a fan of Jossey-Bass publications for years. They always put out thoughtful books that contain valuable information, and so I was eager to read this book to see if I could pick up some new ideas. Even though I'll be starting my twenty-second year of teaching this coming fall, I'm always on the lookout for new ideas to incorporate into my classes. I found this new book by Ralf St. Clair (which focuses on teaching both non-credit and credit courses) to be very useful.

As St. Clair states at the beginning of the Preface, "The big idea of this book is that education for adults has to be designed. Whether it's a one-hour class on wine tasting or a four-month language course, there are some key decisions that must be made as the course is crafted." To help achieve those goals, St. Clair breaks things into three core factors: matters that affect you as the educator, matters that affect your students, and matters that affect the course content itself. The central focus is on design since St. Clair believes that good course design helps create dynamic, engaged teachers and students.

To that end, St. Clair provides a Program Design Chart to help you build your course from the ground up, depending on your aims, methodologies, and values. He asks you to give careful attention to how each of these areas will impact your students.

Before purchasing this book, you'll also want to be open to using active learning, collaboration, and principles of student self-responsibility in your classes. I already use these methodologies when I teach, but I just wanted to point this out in case you don't.

St. Clair also uses nice analogies throughout the book, as well as good examples from the classroom. The book is also grounded in theory and research.

While a bit dry in places, this is overall a helpful book that asks the educator to reflect on her or his core beliefs and how she or he will bring those into each unique course.

See all 8 customer reviews...

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Senin, 05 Maret 2012

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Puddin': Luscious and Unforgettable Puddings, Parfaits, Pudding Cakes, Pies, and Pops, by Clio Goodman, Adeena Sussman

The classic American treat finally gets its due: foolproof pudding recipes, from irresistible standards to inventive modern twists, by the chef and owner of New York City’s popular pudding destination.
 
Puddin’ shares Clio Goodman’s secrets for re-creating—and improving on—your sweetest childhood memories. From grown-up renditions of snack-time favorites like Butterscotch Pudding (spiked with whiskey) to party-ready showstoppers like Banana Upside-Down Cake with Malted Pudding and summertime crowd-pleasers like Peanut Butter Fudge Pops and Peach Melba Parfaits, Puddin’ serves up luscious and decadent recipes for your every dessert whim. Along the way, Clio offers suggestions for adapting her pudding recipes—all of which are naturally gluten-free—for vegan and low-fat variations. And because creamy pudding just begs for a companion, Puddin’ also includes recipes for homemade toppings, such as Salted Caramel Sauce, Marshmallow Crème, and Brownie Crumbs, that can be mixed and matched with the puddings of your choice or incorporated into one of Clio’s signature parfaits.
 
These surprisingly easy-to-execute pudding creations are destined to become staples of your dessert repertoire. Puddin’ is a celebration of an American classic.
 
Praise for Puddin’
 
“Remarkably versatile . . . A superb single-subject dessert cookbook.”—Library Journal (starred review)
 
“Unlock the secrets to divine creaminess. . . . This book has revisited and reinvented pudding in just about every imaginable form. Recipes are easy to follow and results could win you some delicious rewards.”—Eat Something Sexy

“Clio Goodman has a talent for transforming simple, elemental ingredients into amazing desserts. Puddin’ brings back memories of simpler times, and coming back to pudding is a return to an elemental form of inspiration. These sweet treats are the ultimate in comforting indulgence.”—Ron Ben-Israel, host of Sweet Genius

“Clio’s puddings are ethereal and utterly delicious. Her techniques are simple, but the magic is in the way she pairs unique ingredients in one little cup. Her puddings will dazzle any dinner party!”—Pichet Ong, pastry chef, author of The Sweet Spot, and judge of Sugar Dome




From the Hardcover edition.

  • Sales Rank: #135863 in eBooks
  • Published on: 2013-10-15
  • Released on: 2013-10-15
  • Format: Kindle eBook

Review
“Remarkably versatile . . . A superb single-subject dessert cookbook.”—Library Journal (starred review)
 
“Unlock the secrets to divine creaminess. . . . This book has revisited and reinvented pudding in just about every imaginable form. Recipes are easy to follow and results could win you some delicious rewards.”—Eat Something Sexy
 
“Clio Goodman has a talent for transforming simple, elemental ingredients into amazing desserts. Puddin’ brings back memories of simpler times, and coming back to pudding is a return to an elemental form of inspiration. These sweet treats are the ultimate in comforting indulgence.”—Ron Ben-Israel, host of Sweet Genius
 
“Clio’s puddings are ethereal and utterly delicious. Her techniques are simple, but the magic is in the way she pairs unique ingredients in one little cup. Her puddings will dazzle any dinner party!”—Pichet Ong, pastry chef, author of The Sweet Spot, and judge of Sugar Dome

About the Author
Clio Goodman is the chef and owner of Puddin’, a dessert shop on New York City’s iconic St. Mark’s Place. Trained at the Culinary Institute of America, Goodman has worked at Union Square Cafe and as a private chef. She lives in New York City.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter

1

The Classics

If you had to master one group of recipes in this book, this would be it. Basic in technique and elemental in flavor, these recipes will send you straight back to your life’s most satisfying dessert moments. What’s unique here is the way I achieve my results, generally staying away from extracts and shortcuts and instead favoring an extra step or two—­roasting bananas, infusing milk, using only the finest chocolate—­that separate these puddings from the pack. Road test these recipes and I think you’ll find that rather than being difficult, they’re designed to succeed. Most start out similarly: infusing milk with this flavor or that, thickening with cornstarch and eggs, heating into a custard, straining, and cooling. After a while the method becomes second nature, a new dessert language that you’ll nearly commit to memory over time.

Chocolate Pudding • { serves 8 }

This pudding has major sentimental value, since it was the first one I made for my current business partner, Noah, when I was working as his personal chef. He loved it so much he suggested we open Puddin’—­and the rest is history. When we adapted the recipe for the shop, we taste-­tested 15 different brands of chocolate, and the clear winner was an Icelandic brand, Noí Síríus. Any other high quality 70 percent cocoa chocolate will do in a pinch. I designed this pudding not to be too sweet or too stiff—­I wanted it to have some wiggle to it and allow the purest taste of chocolate to come through.

5 cups whole milk

1 cup heavy cream

3 egg yolks

1 1⁄3 cups sugar

1⁄4 cup cocoa powder

1⁄4 cup cornstarch

1⁄8 teaspoon salt

10 ounces bittersweet chocolate (70% cocoa), finely chopped

1. In a medium saucepan, vigorously whisk together milk, cream, egg yolks, sugar, cocoa powder, cornstarch, and salt.

2. Cook over medium heat, stirring constantly, until warm, 3–­4 minutes.

3. Add chocolate and continue to cook, whisking constantly, until pudding begins to thicken, 14–­15 minutes. (Once you can lift the whisk from the pudding and it leaves a faint shadow, it’s done. The pudding will seem fairly loose, but it will thicken up further as it chills.)

4. Strain the pudding through a fine-­mesh sieve into a bowl, pressing pudding through sieve with a silicone spatula.

5. Cool at room temperature for 10 minutes, press a layer of plastic wrap onto the surface of the pudding, and chill until completely cold, 2 hours.

Suggested pairing: Whipped Cream (page 70)

Vanilla Pudding • { serves 6–8 }

It may seem like heresy to some, but I love vanilla so much that chocolate comes in a distant second. Growing up, I got in the habit of dabbing my mom’s Madagascar vanilla extract behind my ears, and it quickly became my signature scent. I usually avoid using flavor extracts in my recipes, but this one is an exception—­the round, floral, and musky notes of good-­quality vanilla extract reinforce the flavor achieved by infusing the milk and cream with a scraped vanilla bean. And you can forget about vanilla’s reputation for being “boring”—­even sworn chocoholics are converted once they taste this version. One spoonful of this pure, simple treat, and you’ll see why.

2 1⁄2 cups whole milk

2 1⁄2 cups heavy cream

1 vanilla bean, split, seeds scraped out and reserved

1 cup sugar

6 tablespoons cornstarch

6 egg yolks

1⁄4 teaspoon salt

2 teaspoons vanilla extract

1. In a medium saucepan heat the milk, cream, and vanilla bean and seeds until steaming but not boiling. Remove from heat and allow to steep 30 minutes. Chill completely in refrigerator, 1–­2 hours.

2. Add sugar, cornstarch, egg yolks, and salt to saucepan and whisk vigorously.

3. Place pot over medium-­high heat and cook, whisking constantly, until mixture begins to thicken, 5–­6 minutes. (Once you can lift the whisk from the pudding and it leaves a faint shadow, it’s done. Pudding will seem fairly loose, but it will thicken up further as it chills.)

4. Strain the pudding through a fine-­mesh sieve into a bowl, pressing pudding through sieve with a silicone spatula. Whisk in vanilla extract.

5. Cool at room temperature for 10 minutes, press a layer of plastic wrap onto the surface of the pudding, and chill completely in refrigerator, 2 hours.

Suggested pairings: Salted Caramel Sauce (page 59); Fudge Sauce (page 60); Cherry Compote (page 61)

Butterscotch Pudding • { serves 8 }

Ever since I was a kid, my dad’s nightly indulgence has been a single glass of Famous Grouse Scotch whiskey, which he nurses throughout the night. When I started rethinking butterscotch pudding, I used that ice-­filled glass with its slowly receding contents as my inspiration—­and Dad’s bottle of hooch as “research material.” Then I had some fun by cooking up some brown butter, which adds a roasty, toasty, nutty flavor that makes everything it touches taste a little bit better. I add the shot of dad’s Famous Grouse at the end for maximum impact. Dad, this one’s for you—­I promise to replace that bottle sometime soon!

For the butterscotch Sauce:

1 stick butter

1⁄2 cup heavy cream

1 cup loosely packed dark brown sugar

1 teaspoon salt

4 teaspoons vanilla extract

For the Pudding:

2 1⁄2 cups whole milk

2 1⁄2 cups heavy cream

6 tablespoons cornstarch

2 tablespoons dark brown sugar

1⁄4 teaspoon salt

6 egg yolks

2 teaspoons vanilla extract

2–­3 tablespoons Scotch whiskey (preferably Famous Grouse; amount depends on how strong you want it)

Make butterscotch Sauce:

Melt butter in a small saucepan over medium heat, cooking until golden brown in color, 2–3 minutes. The butter should look like honey and smell like freshly baked chocolate chip cookies.

2. Add cream, brown sugar, and salt, then raise heat to medium high and bring to a boil. Cook, stirring, until sugar is dissolved and mixture is thickened, 4–­5 minutes.

3. Remove from heat, stir in vanilla, cover, and set aside.

Make Pudding:

1. In a medium saucepan, vigorously whisk together milk, cream, cornstarch, brown sugar, salt, and egg yolks.

2. Cook over medium-­high heat, whisking constantly, until mixture is thickened, 6–­8 minutes. (Once you can lift the whisk from the pudding and it leaves a faint shadow, it’s done.)

3. Strain the pudding through a fine-­mesh sieve into a bowl, pressing pudding through sieve with a silicone spatula. Whisk in vanilla and scotch.

4. Pour the warm butterscotch sauce into the hot pudding base in three additions, whisking until fully incorporated.

5. Cool at room temperature for 10 minutes, press a layer of plastic wrap onto the surface of the pudding, and chill completely in refrigerator, 2 hours.

Suggested pairings: Peanut Brittle Bits (page 74); Salted Caramel Sauce (page 59)

Banana Pudding • { serves 6–8 }

There’s definitely a banana divide in my family. My mom, the banana-­hater, sits on one side of the fence, while the rest of us sit on the other, peeling to our hearts’ content. Me? I love banana shakes, banana cake, banana ice cream—­you name it! Creating this pudding, I knew I didn’t want to use banana extract or banana liqueur, so I had my work cut out for me. Mom and I discovered a method of roasting bananas whole in their skins; the bananas turn soft and gray on the outside, almost caramelizing. After roasting, let them cool for a while—­no one wants to peel a hot banana!

8 ripe medium bananas, skins on (about 3 1⁄2–­4 pounds)

2 1⁄2 cups whole milk

2 1⁄2 cups heavy cream

1 cup sugar

6 tablespoons cornstarch

6 egg yolks

1⁄4 teaspoon salt

1. Preheat oven to 350°F.

2. Place bananas (do not peel) on a rimmed baking sheet and poke all over with a fork. (Go ahead—­just let all your rage out on those bananas.)

3. Roast bananas until super-­soft, 25–­30 minutes. Let cool at room temperature for 20 minutes.

4. In a medium saucepan over medium-high heat, heat milk and cream until hot to the touch but not boiling, about 7–8 minutes. Remove saucepan from heat.

5. Peel bananas and mash in a bowl, add to hot milk, cool at room temperature for 15 minutes, and cover. Let steep in refrigerator at least 4 hours and up to 24 hours.

6. Over a medium saucepan, pour bananas and milk through a fine-­mesh strainer or wrap in a double layer of cheesecloth. Strain as much of the milk out of the bananas as you can, reserving banana mash for Banana Upside-­Down Cake with Malted Pudding (page 103).

7. Add cornstarch, egg yolks, and salt to saucepan and whisk thoroughly. Cook over medium heat, whisking constantly, until mixture begins to thicken, 9 minutes. (Once you can lift the whisk from the pudding and it leaves a faint shadow, it’s done. Pudding will seem fairly loose, but it will thicken up further as it chills.)

8. Strain the pudding through a fine-­mesh strainer into a bowl, pressing pudding through sieve with a silicone spatula.

9. Cool at room temperature for 10 minutes, press a layer of plastic wrap onto the surface of the pudding, and chill completely in refrigerator cold, 2 hours.

Suggested pairing: Whipped Cream (page 70) and Vanilla Wafers (page 57)

Coffee Pudding • { serves 6 }

“We’ve never seen you drink so much coffee,” my friends have told me since I opened Puddin’, and it’s true. The long hours and often crazy-­early start times have converted me into a java monster. So when people ask me about my favorite flavor, I always tell them it’s this one, which I developed to taste like the perfect sip of espresso. There are lots of instant espresso powders out there, but by far my favorite is Medaglia d’Oro, which is widely available and contains more natural oils that help impart a direct hit of coffee goodness into every bite. Your taste buds first notice a touch of bitterness, followed by nutty and creamy notes—­and the perfect off-­sweet finish.

2 cups heavy cream

2 cups whole milk

1⁄2 cup plus 2 tablespoons light brown sugar

3 tablespoons instant espresso powder

3 tablespoons cornstarch

1 egg yolk

1⁄2 teaspoon salt

1. In a medium saucepan whisk together all ingredients.

2. Cook over medium-­high heat, whisking constantly, until mixture begins to thicken, 10–­12 minutes. (Once you can lift the whisk from the pudding and it leaves a faint shadow, it’s done. Pudding will seem fairly loose, but it will thicken up further as it chills.)

3. Strain the pudding through a fine-­mesh sieve into a bowl, pressing pudding through sieve with a silicone spatula.

4. Cool at room temperature for 10 minutes, press a layer of plastic wrap onto the surface of the pudding, and chill completely in refrigerator, 2 hours.

Suggested pairings: Salted Caramel Sauce (page 59); Fudge Sauce (page 60); Brownie Crumbs (page 49)

Hevra’s Lemon Obsession Pudding • { serves 6–8 }

There were no lemon trees in our suburban Ohio backyard, but there might as well have been, what with the number of lemons in our kitchen when I was a kid. My mom, Hevra, is lemon-­obsessed, and never met a recipe she didn’t think could be improved by a squeeze of zesty, tangy citrus. To her, heaven is a jar of fresh lemon curd, which became the inspiration for this recipe, which packs a sunshiney zing any time of the year. I wanted something meltier and a bit less tart than straight lemon curd, so my mom and I came up with the idea of stirring a homemade curd into a pudding base at the end of cooking. Because there’s butter in the curd, this pudding definitely has a richer, rounder flavor than some of the others. Mom, this one’s for you.

1 1⁄4 cups whole milk

1 1⁄4 cups heavy cream

1⁄4 cup sugar

3 tablespoons cornstarch

3 egg yolks

1⁄8 teaspoon salt

1 1⁄2 cups Lemon Curd

1. Make curd (see page 12).

2. In a medium saucepan vigorously whisk together the milk, cream, sugar, cornstarch, egg yolks, and salt.

3. Cook over medium-­high heat, whisking constantly, until thick, ­5-­6 minutes. (Once you can lift the whisk from the pudding and it leaves a faint shadow, it’s done.)

4. Strain the pudding through a fine-­mesh sieve into a bowl, pressing pudding through sieve with a silicone spatula.

5. Cool at room temperature for 10 minutes, press a layer of plastic wrap onto the surface of the pudding, and chill until completely cold, 2 hours.

6. When the curd and pudding are chilled, in a medium bowl whisk them together until well blended.

Note: This recipe works beautifully with grapefruit juice, too. The only catch is that you have to reduce a larger quantity of juice to achieve the proper tartness necessary to make the pudding’s flavor really pop. To do so, in a small saucepan boil 3 cups fresh grapefruit juice over medium-­high heat until reduced to 1⁄2 cup, about 20 minutes. Cool completely at room temperature before using.

Suggested pairings: Lime Angel Food Cake Crumbs (page 48); Blackberry Compote (page 65), Marshmallow Crème (page 72)

Lemon Curd • Makes 11⁄2 cups

This curd is an essential ingredient in both Hevra's Lemon Obsession Pudding (page II) and our Lemon Lover’s Cake (page III). It’s also great dolloped into fresh fruit, over pound cake, or even stirred into a bowl of Greek yogurt.

1⁄2 cup plus 2 tablespoons lemon juice (about 3 lemons’ worth)

2 eggs

2 egg yolks

1⁄2 cup sugar

1⁄8 teaspoon salt

Finely grated zest of 1 lemon

5 tablespoons butter, melted

1. In a small saucepan combine all ingredients except butter, then drizzle in butter and whisk constantly over medium heat until curd begins to coat the back of a spoon, 3–­4 minutes.

2. Strain the curd through a fine-­mesh sieve into a bowl, pressing curd through sieve with a silicone spatula.

3. Cool 5 minutes, then press a layer of plastic wrap onto the surface of the curd and chill completely in refrigerator, 1 hour.

Apricot-­Scented Rice Pudding • { serves 8 }

I’ve loved the flavor of rice pudding for as long as I can remember, but I often find that overcooked rice turns this classic into a major bummer. The solution came to me one day at an Indian restaurant while I was spooning raita, the traditional savory Indian yogurt sauce, onto my rice. I was struck by the way the firm, perfectly cooked grain was enhanced but not overtaken by the creamy yogurt. Then it hit me: why couldn’t I make rice pudding like this? I cooked the rice in milk then made a separate pudding and stirred the two together. You get firm rice, creamy custard, and a subtle apricot flavor.

For the Apricot Syrup:

1⁄2 cup sugar

12 dried apricots, diced (1⁄2 cup)

For the Rice:

3⁄4 cup long-­grain basmati rice

1 1⁄3 cups whole milk

4 tablespoons Apricot Syrup (without solids)

1⁄4 teaspoon salt

For the Pudding:

1 3⁄4 cups whole milk

1 3⁄4 cups heavy cream

1 cinnamon stick

1 vanilla bean, split, seeds scraped out and reserved

3⁄4 cup sugar

41⁄2 tablespoons cornstarch

4 egg yolks

Make Apricot Syrup:

Bring 1⁄2 cup water and the sugar to a boil in a small saucepan.

2. Remove from heat, add the apricots, and transfer to a bowl to cool at room temperature. (The syrup is ready to use right away, but the longer you leave in the apricots, the more apricot-­a-­licious the syrup will be.) Reserve syrup and solids.

Make Rice:

Preheat the oven to 300°F.

2. In a small, ovenproof saucepan bring the rice and 2 cups cold water to a boil. Immediately remove from heat, drain, and rinse the rice right away under fresh cold water. Drain rice in a fine-­mesh seive.

3. Return the rice to the same pot and add the milk, apricot syrup, and salt.

4. Cover the pot with a tight-­fitting lid, transfer the pot to the oven, and cook, stirring every 10 minutes, until the milk is completely absorbed and the rice is plump, 45 minutes.

5. Remove pot from oven and let stand, covered, for at least 15 minutes.

Make Pudding:

In a medium saucepan whisk together the milk and cream, then add the cinnamon stick and vanilla bean. Heat the mixture gently until hot but not boiling, 5 minutes, remove from heat, and let steep, covered, until milk comes to room temperature, 20 minutes. Chill in refrigerator for at least 10 minutes.

2. Add sugar, cornstarch, and egg yolks to chilled milk mixture and whisk vigorously.

3. Return the saucepan to the stovetop and cook over medium-­high heat, whisking constantly, until mixture is thick, 5–­6 minutes. (Once you can lift the whisk from the pudding and it leaves a faint shadow, it’s done.)

4. Strain the pudding through a fine-­mesh strainer into a bowl, pressing pudding through sieve with a silicone spatula. Remove vanilla bean and cinnamon stick and discard. Fold rice and remaining reserved apricots and syrup into hot custard.

5. Cover surface of pudding with plastic wrap, cool in refrigerator 10 minutes, then chill until completely cold, 2 hours.

Suggested pairing: Cherry Compote (page 66)

Most helpful customer reviews

7 of 8 people found the following review helpful.
Great one-topic cookbook!
By I Do The Speed Limit
This book is filled with wholesomeness, goodness and goodwill. It is obvious that the author loves her topic and is anxious for her readers to have success with the recipes. I like her kind of energy and earnestness: It is like getting a kick-start and it gives me the get-up-and-go to get in the kitchen and create.

It helps that I love pudding: Give me a choice between cake, pie and pudding and I'll take the pudding any day. Now, if the choice is pudding or cookies, well, I will take some of each!
I would not call this an expansive cookbook, and it does not contain all types of pudding. For instance, you won't find steamed puddings, or corn puddings and only one rice pudding. These are custard puddings of milk infused with flavorings, then thickened with eggs and corn starch.

The author, who opened a pudding shop in January 2012 in New York's East Village, starts out her book by laying down the basics in "Pudding 101", a chapter that provides all kinds of helpful tips that reflect her many years of experience.

You will find a chapter of all the well-known classic flavors, plus banana, espresso, lemon and more. She also included a vegan coconut pudding in this section.

She developed recipes for "New Favorites": Peanut Butter (so easy with no eggs and regular name-brand creamy peanut butter); a hazelnut, chocolate, espresso pudding she calls Nutella; Dulce de Leche; roasted cashew; mint and bittersweet chocolate chip; maple; passionfruit and pineapple. My favorite in the book--and the reason I had to have this book--is the key lime pudding. There are many more flavors, too.

There is a chapter of toppings--all from scratch: Bits and pieces of Lime Angel Food Cake, of brownies, of gingerbread, graham crackers, vanilla wafers and more. In this section there are many sauces, compotes and whipped creams. Then she follows up with crunchies: Candied nuts and "Sprinkles". The sprinkles are over-the-top fun to make--maybe time-consuming, but I think they are way-cool and worth the effort.

After the different pudding flavors and all the toppings, she layers it all together in another chapter. All the recipes are great and suitable for dinner guests, but the parfaits take pudding to a new level: Very impressive. Some are very sophisticated.

The book finishes up with pudding cakes and pies that are the specialties of the author's shop in New York. For the cakes, pudding is featured as middle layers. The frostings are very special: How does "Brown Butter Walnut Buttercream" sound to you? Yeah, so good. Of course, after mentioning the key lime pudding above, it follows that the Key Lime Pudding Cheesecake is also a favorite of mine.

There are frozen pudding pops, too. Not something that I have gotten into, but they look mouthwatering.

Full-color pictures are well-done and are of the finished product. Black on white type style and font size are easy to read. Layout is adequate and makes it easy for your eyes to find your place on the page. There is not a picture for each recipe, but there are enough so that you can picture what you don't see. Plus a lot of the different puddings and toppings are shown as layers in the parfaits. Instructions are very easy to follow. Ingredient lists are straight-forward and have been accurate for what I have made so far.

I really like this cookbook! It's got a lot of "keeper" recipes. I'm glad I picked it up. It could have been mundane: A cookbook about pudding? But it is not mundane. It is far, far from ordinary and dull.

**Besides the advanced readers' copy (ARC) I received through Vine, I have been working with a temporary download from the publisher (through NetGalley) since the middle of August. I've been scrutinizing and working with these recipes for six weeks before writing my review.

4 of 4 people found the following review helpful.
A hiccup and a success...
By Brian Hawkinson
I love cooking and baking, desserts always on the top of my list. I've never made pudding outside the typical boxed variety, so I was eager to give Puddin a try.

The first recipe I tried was for a traditional Chocolate Pudding. Preparation went pretty straight forward until I got to the thickening part. Her instructions are to heat on medium heat for 14-16 minutes or until a shadow appears. Huh, a shadow? Needless to say I had never heard this and had no clue what I was looking for. 16 minutes came around and it was nowhere near ready to take off the stove. I went another 10 minutes and it only slightly thickened up with nothing that even remotely looked like a shadow. Eventually it thickened a little, but this was at 25 minutes of stirring over medium heat. I thought mayhap this was when I should take it off and the fridge would thicken it the rest of the way. It didn't, of course, and I was left with a slight thick fluid. It did have a good flavor, but my first attempt finished in a failure. No description of what a shadow is, nor did I see anything close to it, and 10 minutes longer on medium heat and still nothing. Things were not looking up.

I turned next to the Peanut Butter pudding, and wow am I impressed. This one was supposed to be on medium-high for 7-8 minutes, and it hit that mark perfectly. As well it went from a grainy fluid to thick almost instantly in the blink of an eye. Now, having reached this stage, I understand what a shadow is. Essentially it is the wake that the thickened pudding leaves behind. This pudding has me dreaming of it it is so good. Rich, not too heavy, and an awesome flavor, especially if you are a peanut butter fan like myself.

Aside from the Chocolate Pudding mishap, I can see me making many wondrous puddings. Maybe I will turn the heat up to medium-high like the peanut butter one? Who knows. And now that I know what to look for in a shadow I can be prepared for other recipes in this book. Definitely give a try. A great assortment of recipes.

4 stars.

16 of 21 people found the following review helpful.
Decadent pudding recipes made with the finest ingredients but proceed with caution
By Kathleen San Martino
Puddin' contains some fantastic and delicious recipes made with only the finest ingredients for a richly flavored pudding. Although there are cake, pie, and pop recipes in this small book, the main focus is pudding (and parfaits) as the title suggests.

I made three recipes:
- Banana Pudding
- Chocolate Pudding
- Whipped Cream

The two pudding recipes came out delicious and the whipped cream paired well with the sweet pudding. This whipped cream recipe is really unsweetened and unflavored whipped cream. For other desserts that are not part of the recipes in this book, I would add 1 tablespoon of sugar and 1 teaspoon of vanilla to make the whipped cream.

Despite the tasty results, here's why I rated this book 3 stars:

- I've never made pudding that had to be cooked before, except for tapioca and rice pudding. Therefore, for a pudding neophyte like me it is very important that the recipes be accurate and clear and the two pudding recipes I chose were not.

- With regard to the banana pudding recipe (my unfortunate first choice), there were three actual mistakes on the recipe page (one mistake with the recipe itself) and several other comments that were unclear.

- First, there was sugar called for in the recipe, yet it was not mentioned where to combine it. I decided to combine it at step 7 when all the other ingredients were being mixed in. Several hours later, I realized I did indeed combine it at the right spot after some research and then reading other recipes in the book.

- Second, when baking the bananas, it says they will turn gray; not so, the banana skin turns black. It also said that the pudding will be fairly loose but never mentioned what that really meant. In essence, the pudding should be cooked until it almost bubbles and has the consistency of a loose milkshake. The consistency will be between liquid and a thick cream.

- Third, many important parts of making pudding is actually explained in the beginning of the book. I do like to read cookbooks from cover to cover but I don't always do that first before deciding to make a recipe. In my opinion, a recipe should stand on its own in the sense that it should be written to get the best results. For instance, the eggs should have been large eggs (not mentioned in the recipe). The salt should be table salt or sea salt and not kosher salt (I used kosher because I didn't know this). The corn starch should be mixed into cold ingredients (I did this by chance). The pudding should be hot enough to bubble, etc.

- The other two mistakes had to do with page numbers. The Banana Upside-Down Cake and Whipped Cream recipes references were not on the pages specified. It became a treasure hunt to find them. In fact there were over 47+ incorrect page numbers in the text and table of contents (TOC). Of course I received a pre-release version of the book; but the pagination errors were not like someone forgot to update the TOC, they were sporadic and made no sense. I suspect this will be corrected in the released version.

As a result of the third problem above, my banana pudding came out liquidly and not a pudding at all. It was two days' work lost. After reading the intro, I then decided to recook the pudding and still got liquid. Finally, I did some Internet research (something one should not have to do when using a recipe from a good cookbook), and I found a post on the Internet that essentially said for a pudding recipe to "gel" the starch digesting enzyme in egg yolks must be cooked to almost boiling otherwise the left-over enzymes digest all of the nice-firm starch.

Therefore, after the pudding had already been cooked and chilled two times, I decided to add 2-1/2 egg yolks (to make up for the medium yolks I added previously) and 2 more tablespoons of corn starch to make up for it probably being digested by the old yolks. I probably could have just added the corn starch but I'm not a food scientist.

I whipped and cooked the pudding for a very long time because I was intent on getting it to harden. Finally, it came out like a pudding but chilled into delicious banana custard instead. This was not exactly what I was expecting but it was still delicious.

When I made the chocolate pudding, I kept the above tips in mind by not using kosher salt, using only large egg yolks, bringing the pudding to almost boiling, etc. This time the pudding came out correctly except that I had to "sort of alter the recipe" to get that correctness. First, I cooked it sometimes on high heat because medium wasn't working. Second, I cooked it for 30 minutes instead of the 14-15 specified because at 15 minutes it was still completely liquid.

In summary, this book has all the right ingredients for each recipe (although with some mistakes) that results in the best pudding I've ever tasted. However, each recipe cannot stand on its own unless one reads the introduction first. The pictures are also black and white but I suspect the released version will correct this along with all those pagination errors and perhaps the recipe error I discovered. If I did not think this would be corrected, in its current pre-release state I'd actually rate the book 2 stars.

I suspect most of the other reviewers (except for two) did not even make a single recipe. I don't understand how someone can review a cookbook without actually doing any cooking from it. I make a point of ALWAYS making at least one recipe and sometimes two or more. Had these reviewers made a recipe or two, I doubt they would have rated this book 5 stars unless they were pudding experts and could look past the lackadaisical directions. Although this book is a keeper, I am extremely disappointed in the quality of the instructions.

Had the book not been so full of errors and the recipes were written to stand on its own, I would have rated this 4 or 5 stars. This is one of those specialty books where recipes should be used for occasions where one wants to impress in the dessert department. Also, most of the ingredients used are pretty common although there are some recipes that require less typical ingredients such as gianduja chocolate. The flavors are full-bodied but highly fattening and cholesterol ridden (sort of like a heart-attack in a cup) that is perfect for those rare sweet-tooth moments.

UPDATE Oct 26, 2013 - A few people have mentioned to me that they thought I was basing my review on the pagination issues associated with the Advanced Reader Copy (ARC). The reason I gave this book 3 stars is because the recipes do not stand on their own and the assembly instructions were unclear to me. It has nothing to do with the pagination issues or the fact that there are no color pictures as both are expected in an ARC.

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