Senin, 28 Maret 2011

[L491.Ebook] Get Free Ebook English 3200: A Programmed Course in Grammar and Usage, by Joseph C. Blumenthal

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English 3200: A Programmed Course in Grammar and Usage, by Joseph C. Blumenthal

Book by Blumenthal, Joseph C.

  • Sales Rank: #677835 in Books
  • Brand: Brand: Harcourt Brace College Publishers
  • Published on: 1972-03-14
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 550 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Superb programmed text - One that works.
By RSB
If you can find a copy of this in good repair, it is well worth it.
One of the best programmed texts out there for grammar.
My copy is now worn and dog eared, but used often.
Put it on your English Usage bookshelf, use it, and you will be glad you did.

0 of 0 people found the following review helpful.
Immensely Useful.
By Angarai Vadhyar
A must if you want to improve your Grammar and syntax.

2 of 2 people found the following review helpful.
THIS IS THE BEST!
By Diane Walters
Out of over 50 English and grammar books that I have--this is, by far, the absolute best of them all. Blumenthal was absolutely brilliant in the design of this book.

In total, there are 3,231 questions in this compact volume. The book will explain all grammar subjects such as sentences, adverbs, punctuation, etc. . . . The rest of the lesson is posed in questions for you to answer. There is one question per page and the page is divided into, what they call, frames. For example on page 5, frame 3, there is a sentence: "The dog is barking." The question is, "This group of words is a sentence because it gives us a sense of (completeness, incompleteness)." In order to find out the correct answer you turn the page, where you will find the answer and the next question.

They pose the questions in every possible way you can think of. That is why there are 3,231 of them. By the time you finish answering the questions you really do know the material quite well.

I feel this book is suitable for anyone who is learning or has trouble remembering the lessons of grammar or anyone who just wants to brush up on skills. The book is fun and learning is fast.

I liked this book so much I had an old beat up copy that was marked through with pen and pencil that I found at a thrift store. I went through and erased all I could. Then, I put labels over the penned parts so I couldn't see them. Still, the book was a sloppy mess. I had that copy for 13 years. At Christmas, I found at Amazon, someone selling a pristine copy for a great price and I got it. I am thrilled! I did not throw away the old copy. I gave it to a Russian family with small children so they would have an easier time of learning English. I just can't rave enough about this book.

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Minggu, 27 Maret 2011

[Y744.Ebook] Free PDF The Abyssinian Contortionist: Hope, friendship and other circus acts, by David Carlin

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The Abyssinian Contortionist: Hope, friendship and other circus acts, by David Carlin

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The Abyssinian Contortionist: Hope, friendship and other circus acts, by David Carlin

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The Abyssinian Contortionist: Hope, friendship and other circus acts, by David Carlin

Sosina Wogayehu learned to do flips and splits at the age of six, sitting on the floor of her parents' living room in Addis Ababa, watching a German variety show on the only television channel in the land. She sold cigarettes on the Ethiopian streets at the age of eight, and she played table soccer with her friends who made money from washing cars, barefoot in the dust. And, she dreamed of being a circus performer. Twenty-five years later, Sosina has conjured herself a new life in a far-off country: Australia. Along the way, she helped rescue one brother, yet she lost another. Sosina has traveled the world as a professional contortionist, capable of bounce-juggling eight balls on a block of marble. She performed with Circus Oz (Australia's premier circus company) from 2002-2009, and she appeared in Peter Jackson's 2005 remake of King Kong. Sosina was also a 2007 nominee for the Australian of the Year Award. Additionally, Sosina has been able to juggle worlds and stories, and, by luck - which is something she is not short of - she is friends with author David Carlin. Following his acclaimed memoir Our Father Who Wasn't There, David Carlin brings us his 'not-me' book, traveling to Addis Ababa where he discovers ways of living so different from his own and where he confronts his Western fantasies and fears. Through Sosina's story, David shows us that, with risk and enough momentum, life's circumstances are never predictable: whom we befriend, where we end up, and how we come to see ourselves. *** "...Carlin is a master storyteller who is well-equipped for the challenge of capturing the life of a woman about whose culture, at the outset, he knows practically nothing. The subject of The Abyssinian Contortionist is clearly a remarkable person of unusual social mobility and ability, yet Carlin manages to navigate the high-wire act of astute observation without falling into hagiography....his writing is so crisp and vivid that, on reading its final pages, I felt a deep satisfaction and a longing for more. - Andrew McMillen, The Australian, May 2015˜[Subject: Biography, African Studies, Australian Studies, Women's Studies, Refugee Studies, Diaspora Studies]

  • Sales Rank: #3803971 in Books
  • Published on: 2015-03-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .55" w x 5.98" l, .0 pounds
  • Binding: Paperback
  • 244 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Throughout 'The Abyssinian Contortionist', David Carlin's writing is crisp and vivid.
By Andrew McMillen
A biography written across several years in real-time, in the immersive style of narrative non­fiction, 'The Abyssinian Contortionist' is a book as striking and memorable as its cover art. Its author, Melbourne-based writer and teacher David Carlin, charts the course of his friendship with a circus performer named Sosina Wogayehu, who was born in Ethiopia, visited Australia as a teenager in the late 1990s, and has lived and worked here since.

It feels strange to summarise Wogayehu in a sentence as stark as that, however, as hers is a story of such emotional depth and complexity that it is certainly deserving of a book-length narrative. In Carlin, we have a narrator of rare honesty and bald self-doubt. On numerous occasions he makes clear to the reader that this story was written in close collaboration with its subject: he writes of poring over early drafts of the manuscript with Wogayehu, taking in her feedback and sharpening his prose accordingly.

At one point, while visiting an Ethiopian locale of special significance, he writes, “I look across at Sosina relaxing in the cool air, chewing on her lunch. ‘Do you think this is where the book should end?’ I ask her.” (The answer is self-evident, as the story continues for another 10 pages.)

This meta, self-reflexive style of writing easily could have been a gimmick, and quickly tiresome, but from the outset it is clear Carlin is a master storyteller who is well-equipped for the challenge of capturing the life of a woman about whose culture, at the outset, he knows practically nothing. The subject of 'The Abyssinian Contortionist' is clearly a remarkable person of unusual social mobility and ability, yet Carlin manages to navigate the high-wire act of astute observation without falling into hagiography.

Wogayehu’s story begins in her birthplace, the national capital of Addis Ababa, where the eight-year-old entrepreneur earns pocket money by selling single cigarettes to passers-by each afternoon after school. (This fact alone speaks volumes of her canny character.) Life in Ethiopia is tough, and although her father has a job at a local brewery and her mother runs a combined hotel, restaurant and cafe attached to the family home, their means are limited. Sosina teaches herself how to bend her body into seemingly impossible shapes by watching a weekly German variety show on the only television station in the land, and it is in the family lounge room that her career as a contortionist and circus performer takes root.

So she joined Circus Ethiopia, a group that performed on Broadway in New York, in London and Europe, and in Australia. A scandal erupted within the ranks of the performers, who were disturbed by their exploitation, financial and sexual, during a visit to our shores. The man at the centre of subsequent charges, Marc LaChance, committed suicide after confessing his sins of pedophilia. A splinter group of 15 performers, mostly teenagers, fled Circus Ethiopia seeking humanitarian asylum from the Australian government, which eventually relented by agreeing that Sosina and her friends could stay.

It was while working as a director for Circus Oz — “among trapeze bars and tightwire walkers”, as he puts it — that Carlin crossed paths with the young performer, who had recently graduated from the Australian national circus school. As he notes at the beginning, he was drawn to make a book “that traced the contours of the gap” between the two of them. Carlin states early in the piece that he was also looking to write about something other than himself, having published his acclaimed debut in 2010, 'Our Father Who Wasn’t There', about his father’s suicide when Carlin was six months old, and his resultant search for paternal figures.

This story, however, would have been a far less compelling read if it were a straight biography, as Carlin-as-narrator is present throughout its telling. His regular asides are by turns poignant and comedic, as the narrative smartly jumps between reconstructed scenes from the past and first-person observations in the present without jarring the reader. This is quite a skill, and it is one of Carlin’s chief achievements here, as the book was written across several years and includes two visits to Ethiopia. The closing chapters see Carlin tagging along to his subject’s home town following a death in the family, where he is allowed the rare privilege of bearing witness to the startlingly wide-screen, surround-sound manner in which Ethiopians mourn and grieve. In these scenes, Carlin’s fish-out-of-water presence — as a tall white guy among a sea of dark skin — is never clearer, and his insights into this foreign culture are many and worthy. Throughout 'The Abyssinian Contortionist', his writing is so crisp and vivid that, on reading its final pages, I felt a deep satisfaction and a longing for more.

(Review originally published in The Australian, May 2 2015: http://www.theaustralian.com.au/arts/review/the-abyssinian-contortionist-biography-of-a-circus-performer/story-fn9n8gph-1227328738897)

0 of 0 people found the following review helpful.
Relished every word
By Tins
Written with gentleness and honesty about an extraordinary woman, The Abyssinian Contortionist is intermingled with the lovely and curious friendship of author and subject. This is 'must read' biography of a different kind.

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Kamis, 24 Maret 2011

[C561.Ebook] Ebook Free Operationally Speaking 3rd Edition:An Event Operations Guide, by Frank K Bussey

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Operationally Speaking 3rd Edition:An Event Operations Guide, by Frank K Bussey

This book contains information about what it takes operationally to run a major golf event,specifically the United States Men's Open Golf Championship. However,this information may be applied to any event, as all events contain the same elements. It is based upon my experience over the last 40 years of operating events such as the the United States Open Golf Championship,International Players Tennis Championship,World Cup Polo Championships as well as other events. The main goal of operations is to finish the site setup,run the event efficiently and remove the facilities on time. Once well-planned,it is essential to guide your vendors and staff effectively to achieve a successful outcome. There will be challenges along the way. No event can escape this fact,but it is how you deal with them that will make the difference. For price discounts contact Frank K Bussey at FrankBussey@SportsOperations.com.

  • Sales Rank: #797298 in Books
  • Published on: 2015-03-16
  • Binding: Paperback
  • 209 pages

Review
If you want to know how to run a major golf event, you should go to someone who has run them for years--successfully. That's Frank Bussey. This book is the how-to-from someone that knows EXACTLY how-to--. --John Feinstein,American Sportswriter and Commentator

This book is a must have for strategic and operationally planning of a sporting event. I highly recommend this book and personally use it for training students who are exploring a career in the field of Strategic and Operational Planning of Sports Events--. --Dr. Jeff Poplarski,Associate Professor,Sport Management and Health Science programs,Farmingdale State College.

About the Author
Frank Bussey was the Director of Operations for the United States Golf Association and directed on-site operations for 23 United States Men's Open Golf Championships. In addition to the U.S. Open,over the previous 10 years he has directed full scope operations at many national events including the Lipton International Players Tennis Championship in Key Biscayne which is now known as the Miami Open. He moved this event from Delray Beach to Boca Raton to finally its permanent home on Key Biscayne.In addition he directed operations for World Cup Polo at Palm Beach Polo and Country Club and Corporate Hospitality for 3000 international clients with facility design of temporary tents and amenities including security and parking at the 1988 Superbowl in San Diego. For all inquiries please contact him at FrankBussey@SportsOperations.com. He lives in South Florida with his family.

Excerpt. © Reprinted by permission. All rights reserved.
Excerpt from Chapter Five Building Department

"The building department can either be an ally or an opponent. It is always best to meet with the building department about your event early in the planning process.

That is worth repeating. It is always better to meet with the building department for your event sooner, rather than later.

Each area of the country is different and each building department has its’ own set of rules. While standard building codes exist, there can be codes specific to the local building department and it is better to be familiar with these at the outset. Pay particular attention to the building codes with regard to tent spacing. In some locales you have to provide a fire break after a number of tents in a row. You will need to know this before you sign off on the tent layout.


The building department should communicate its expectations. Talk to them about the site and what you plan to do. Take maps to leave with them. Have a meeting with all the department heads; create an agenda which explains the scope of the event. Ask help in making your event painless for everyone.

During the practice rounds at one event the building inspector came up to me and told me I had to move some tents in a corporate village. I knew the plans had been submitted well in advance which should have uncovered the problem which was raised. Upon further review at the building department, the inspector found the plans were submitted, but no one caught the spacing issue. In the end, no tents were moved. This reinforces the fact that even if you begin early, errors will occur.


If it is your fault, you have to ask the building inspectors for options. In almost all cases, something can be done to work around the problem. It may cost you money to solve the problem by either adding additional fire personnel or fire equipment.

The Fire Marshal will want to see the flame certificates for the tents as well as a list of hazardous materials used by the decorating company. This list might include the type of wood used in the walls or counters, the ceiling liner material, hard walls, stage lighting and paint. A map showing the location of all these items for quick review in the event something should happen should also be prepared and provided."

Most helpful customer reviews

0 of 0 people found the following review helpful.
Open are a perfect image on how to run a sporting event
By Jeffrey Poplarski
Mr. Bussey’s Operationally Speaking 3rd edition book is the premier book on strategic and operational management. I have been personally using the book in my sport management classes for over 10 years at Farmingdale State College and LIU Post for the past 2 years . The book has given our students an in depth knowledge to successfully have the capacity to run a major sporting event. Mr. Bussey’s planning, controlling, organizing and leading skills at the U.S. Open are a perfect image on how to run a sporting event. I would highly suggest any sport management class to use his great book.

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Selasa, 22 Maret 2011

[Q588.Ebook] PDF Ebook [ Electrical Engineering 101: Everything You Should Have Learned in School...But Probably Didn't [ ELECTRICAL ENGINEERING 101: EVERYTHING Y

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  • Sales Rank: #9283246 in Books
  • Published on: 2011-09-09
  • Binding: Hardcover

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Senin, 07 Maret 2011

[E339.Ebook] PDF Download Eero Saarinen: Shaping the FutureFrom Yale University Press

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From the swooping concrete vaults of the TWA Terminal at JFK Airport to the 630-foot-tall Gateway Arch in St. Louis, the iconic designs of Eero Saarinen (1910–1961) captured the aspirations and values of mid-20th-century America. Potent expressions of national power, these and other Saarinen-designed structures—including the GM Technical Center, Dulles International Airport, and John Deere headquarters—helped create the international image of the United States in the decades following World War II. 

Eero Saarinen: Shaping the Future offers a new and wide-ranging look at the entire scope of Saarinen’s career. This is the first book on Saarinen to incorporate significant research and materials from the newly available archives of his office, and includes the most complete portfolio of Saarinen's projects to date—a chronological survey of more than 100 built and unbuilt works, previously unpublished photographs, plans, and working drawings.

Lavishly illustrated, this major study shows how Saarinen gave his structures an expressive dimension and helped introduce modern architecture to the mainstream of American practice. In his search for a richer and more varied modern architecture, Saarinen became one of the most prolific and controversial practitioners of his time.

  • Sales Rank: #1315647 in Books
  • Published on: 2006-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.02" h x 1.58" w x 9.38" l, 5.00 pounds
  • Binding: Hardcover
  • 408 pages

From Publishers Weekly
Far from a household name, Saarinen's works are nonetheless internationally recognizable icons. His Gateway Arch towers 630 feet above St. Louis, welcoming visitors from across the mighty Mississippi River; the cascading vaults of his TWA terminal at JFK airport greet guests from afar. In many ways, Saarinen's architecture conveys his own experience as an immigrant in the United States; originally from Finland, Saarinen set foot in America in 1923. This elegant compendium provides a lavish array of photographs and sketches of his work, as well as an impressive collection of essays by leading architects and academics. Renowned historian Vincent Scully, for example, addresses Saarinen's role in defining modern architecture in America: by seeing the nation through foreign eyes, he writes, Saarinen understood the responsibility incumbent upon empire. This book demonstrates the many ways Saarinen, and the school of young architects from his office-Pelli, Roche and Venturi, each of them an immigrant or the child of one-hasn't just brought a unique viewpoint to bear on his adopted home, but has changed the way America views itself.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Eeva-Liisa Pelkonen is assistant professor of architecture at Yale University, and the author of Achtung Architecture! Donald Albrecht is an independent curator and Curator of Architecture and Design at the Museum of the City of New York. His books include The Work of Charles and Ray Eames: A Legacy of Invention. Mark Coir is the director of Archives of Cranbrook Educational Community in Bloomfield Hills, Michigan. Sandy Isenstadt is assistant professor of art history at Yale University. Reinhold Martin is associate professor at the Graduate School of Architecture, Planning, and Preservation, Columbia University. Will Miller is chairman and CEO of Irwin Financial Corporation in Columbus, Indiana. Vincent Scully is Sterling Professor Emeritus of the History of Art at Yale University.

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19 of 20 people found the following review helpful.
Definitely catch the exhibit!
By AACC student
This book was put together as an accompaniment to a touring exhibit of Eero Saarinen's work. It is one of three books I purchased for an architectural class project on Saarinen and this book is the best of the three, more comprehensive, more personal, and just as if not more informative. I would highly recommend it, it offers tremendous insight into the man as well as the work. The personal interviews and discussions at the end are superb. The editors obviously have a great admiration and affection for Saarinen, and they do an excellent job of making you understand why.

4 of 5 people found the following review helpful.
Understanding an architectural genius
By Michael S. McGill
This book, and the exhibit that inspired it, go a long way toward explaining the why's and how's of Eero Saarinen's work. On the one hand, he could create what at first glance appear to be purely Miesian International Style designs. On the other, many of his more well known designs seem to anticipate--and perhaps inspire?--the work of architects like Frank Gehry half a century later. By relating his philosophy, his design process, and his willingness to experiment with new construction materials, this book goes a long way toward resolving this anomaly...not ALL the way, but a long way. The data whose release inspired the book and the exhibit are just a treasure trove of information about Saarinen's work. The text of the book is a little uneven, which is not surprising given the large number of authors involved. The inclusion of three lectures by Saarinen is very enlightening, especially the last one which contains perhaps the most extensive statement on his views about architecture. My only frustration is at the very end, with excerpts from the seminar at Yale in 2005 that brought together several of the more illustrious alumni of the Saarinen office. Robert Venturi raises all over again the issue about whether there is a consistent thread to Saarinen's designs, and the responses by his colleagues do not provide a satisfactory answer, unlike the rest of the book.

1 of 1 people found the following review helpful.
Oeuvre in 160 color & 313 black-&-white illustrations
By Eugene Tenenbaum Reluctant Reader
The Eero Saarinen's oeuvre is depicted in excellent 160 color and 313 black-and-white illustrations incl. plans, sections, elevations, hard line axonometric views, hand sketches of excellent quality, and long text descriptions; graphically beautiful, well published on 400 pages on excellent paper.
FROM FRONT FLAP:
'Eero Saarinen: Shaping the Future' offers a new and wide-ranging look at the entire scope of Saarinen's career, including the architect's network of clients, friends, and colleagues; his collaborative process; and the materiality, form, and theatricality that place his work within the intellectual and artistic culture of his era. This is the first book on Saarinen to incorporate significant research and materials from the newly available archives of his office, and includes the most complete portfolio of Saarinen projects to date -- a chronological survey of more than 100 built and unbuilt works, previously unpublished photographs, plans, and working drawings.
Lavishly illustrated, this major study shows how Saarinen gave his structures an expressive dimension and helped introduce modern architecture to the mainstream of American practice. In his search for a richer and more varied modern architecture, Saarinen become one of the most prolific and controversial practitioners of his time.
CONTENTS:
ix Foreword
xiii Acknowledgments
1 Introduction by Eeva-Liisa Pelkonen and Donald Albrecht
REFRAMING SAARINEN
13 Rethinking Saarinen by Vincent Scully
29 The Cranbrook Factor by Mark Coir
45 The Clients and Their Architect by Donald Albrecht
57 Eero and Irwin: Praiseworthy Competition with One's Ancestors by Will Miller
69 What Is a Material? by Reinhold Martin
83 The Search for (Communicative) Form by Eeva-Liisa Pelkonen
99 Eero Saarinen's Theater of Form by Sandy lsenstadt
PROJECT PORTFOLIO edited by Donald Albrecht and Thomas Mellins
120 Inventory of Buildings and Projects
222 The Gateway Arch by Helene Lipstadt
230 The General Motors Technical Center by Rosamond Fletcher
236 The Miller House by Christopher Monkhouse
242 The David S. Ingalls Hockey Rink by Michael Rey
246 Furniture by Brian Lutz
258 Houses and Housing by Alexandra Lange and Sean Khorsandi
266 Churches and Chapels by Jennifer Komar Olivarez
276 Corporate Headquarters by Alexandra Lange
286 Embassies and Chancelleries by limo Tuomi
300 Airports by Susanna Santala
308 Campus Plans by Alan J. Plattus
323 Chronology
341 Selected Writings
355 Appreciations by Former Collaborators: Panel discussion with Cesar Pelli, Kevin Roche, Harold Roth, and Robert Venturi
367 About the Contributors
370 Index
381 Illustration Credits
From the swooping concrete vaults of the TWA Terminal at JFK Airport to the 630-foot-tall Gateway Arch in St. Louis, the iconic designs of Eero Saarinen (1910--1961) captured the aspirations and values of mid-twentieth-century America. Potent expressions of national power, these and other Saarinen designed structures -- including the General Motors Technical Center, Dulles International Airport Terminal, and the corporate headquarters of John Deere and CBS--helped create the international image of the United States in the decades following World War II.

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Selasa, 01 Maret 2011

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  • Sales Rank: #5059778 in Books
  • Published on: 1997-12-31
  • Binding: Hardcover
  • 1874 pages

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The harrowing and heartfelt account of an adventurer's desire to feel true peace and isolation.
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  • Sales Rank: #1019405 in eBooks
  • Published on: 2013-04-16
  • Released on: 2013-04-16
  • Format: Kindle eBook

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survival
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I liked the drive to survive and the insight it offers. Some of the book is non eventful but it held my attention. Pretty amazing adventure.

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